The Black Rider
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|The Black Rider|
|The Casting of the Magic Bullets|
Canadian Tour Program
|Book||William S. Burroughs|
|Basis||German folktale Der Freischütz|
1998 Betty Nansen Teatret
1998 Edmonton International Fringe Festival
1998 Det Norske Teatret
1999 New York International Fringe Festival
2005 American Conservatory Theater, San Francisco
2008 November Theatre
2015 Betty Nansen Teatret
2018 Theater Regensburg
2019 Theater Koblenz
The Black Rider: The Casting of the Magic Bullets is a self-billed "musical fable" in the avant-garde tradition created through the collaboration of theatre director Robert Wilson, musician Tom Waits, and writer William S. Burroughs. Wilson, in the original production, was largely responsible for the design and direction. Burroughs wrote the book, while Waits wrote the music and most of the lyrics. The project began in about 1988 when Wilson approached Waits. The story is based on a German folktale called "Der Freischütz", which had previously been made into an opera by Carl Maria von Weber. It premiered at Hamburg's Thalia Theatre on 31 March 1990, and was performed at Paris's Théâtre du Châtelet on 9 October 1990. November Theatre produced its world English-language premiere in 1998 at the Edmonton International Fringe Festival in Canada. Det Norske Teatret in Oslo staged a Norwegian (Nynorsk) version in 1998, with Lasse Kolsrud as Pegleg. Only the dialogue was translated by the dramaturg and key collaborator of the entire creative process, Wolfgang Wiens; the songs were performed in English.
Waits recorded much of the music from the play in different arrangements under the eponymous title, The Black Rider.
Wilhelm, a file clerk, falls in love with a huntsman's daughter. In order to marry, Wilhelm must prove his worth as a hunter and gain her father's approval, but, as "a man of pen and ink," his shot is lousy and his hopes of marriage worsen. He is offered magic bullets by the devil, Pegleg – who assures him that his bullets will always have a sure shot. However, Pegleg stipulates that, while most of the bullets will hit anything Wilhelm pleases, one of the bullets is under Pegleg's control. Foolish, naive, and overrun with desperate hope, Wilhelm accepts the Faustian pact. On the day of Wilhelm's wedding, the final bullet strikes his beloved dead. He then goes mad, and joins the previous victims of Satan's cunning in the Devil's carnival.
Although based on folklore, the story contains strong autobiographical elements from Burroughs' own life: he accidentally shot his own wife in a drunken attempt at recreating the William Tell legend, and the story as a whole may be construed as a warning tale about the destructive powers of addiction.
The music was composed and performed by Tom Waits, and released as a record in 1993.
November Theatre produced its world English-language premiere in 1998 at the Edmonton International Fringe Festival in Canada, and the American English-language premiere at the New York International Fringe Festival in 1999.
In 2004, UK producers Cultural Industry, London, Barbican Arts Centre, American Conservatory Theater, and the Sydney Festival, Australia, teamed together with Wilson and Waits to produce a touring production in English. Based heavily on the 1990 Thalia theatre production, and even containing some members of the original cast, it toured the world starting in London. The part of Pegleg was played by singer Marianne Faithfull, while Wilhelm was played by actor Matt McGrath. The remaining cast included Mary Margaret O'Hara, Soňa Červená, Richard Strange, Nigel Richards, Dean Robinson, Jack Willis, Janet Henfrey, Monica Tahal, Gabriella Santinelli and Jake Thornton.
The band, The Magic Bullets, was headed by Bent Clausen and David Coulter and featured Thomas Bloch, Terry Edwards, Caroline Hall, Jack Pinter, Rory McFarlane, and Kate St. John.
The show opened in May 2004 at London's Barbican Arts Centre, and then transferred to San Francisco's American Conservatory Theater later that year. In January 2005, the production headlined the Sydney Festival. However, due to ill health, Marianne Faithfull was forced to withdraw from the production and understudy Nigel Richards filled the part.
November Theatre's production went on to tour Canada in 2004–2005 with presentations at Theatre Network in Edmonton, Ground Zero Theatre and the Calgary Opera, Persephone Theatre in Saskatoon, Yukon Arts Centre in Whitehorse, Intrepid Theatre in Victoria, and the PuSh International Performing Arts Festival in Vancouver. The production received six Elizabeth Sterling Haynes Awards in Edmonton and six Betty Mitchell Awards in Calgary including "Best Production" and "Best Direction" in both major centres. In 2006 the production was presented at the Magnetic North Theatre Festival in St. John's, Newfoundland. The production was remounted in Vancouver in January 2008 at the Arts Club Theatre, Granville Island stage, co-presented as part of the annual PuSh Festival. November Theatre produced its final showing at the Tarragon Theatre in Toronto in the fall of 2008.
In 2006, Los Angeles' Ahmanson Theatre re-staged the production, bringing the cast together for one final time. Several members of the original cast were unavailable, most notably Marianne Faithfull, whose role was filled by Vance Avery. The cast was also joined by John Vickery.
Following the concept of the director of the independent theatre, PanoDrama, Anna Lengyel the play was staged in the Hungarian National Theater during the Budapest Spring Festival in 2009 by renowned director Tamás Ascher.
In Barcelona, The Black Rider was the first musical to open at Teatre Almeria. Produced by the Companyia Gataró starting December 2009, it was performed by Oscar Martínez (Wilhelm), Ferran Frauca (Robert), Bealia Guerra (Kätchen), Jordi Vidal (Pegleg), Muntsa Rius (Anne) and Frank Capdet (Bertram), plus special guest acting by Xavier Ribera-Vall (Kuno).
The play was also staged by in Estonia by "VAT Teater" in 2011. It took place in Tallinn, which was a European Capital of Culture for 2011.
In 2014, the play was staged by Rogaland Teater in Stavanger, Norway.
In both 2000 and 2015, the play was staged by the Betty Nansen theatre in Copenhagen, Denmark, both times with Jimmy Jørgensen as Pegleg.
- "The Black Rider" (in Norwegian). Retrieved 1 May 2013.
- "Helsinki City Theatre shows, page 114" (PDF) (in Finnish). Retrieved 24 March 2020.
- "Schaubühne – The Black Rider". Archived from the original on 28 November 2012. Retrieved 1 January 2013.
- "Rogaland Teater – The Black Rider". Retrieved 3 December 2014.
- "Archived copy". Archived from the original on 14 February 2015. Retrieved 13 February 2015.CS1 maint: archived copy as title (link)
- "Archived copy". Archived from the original on 1 February 2018. Retrieved 1 February 2018.CS1 maint: archived copy as title (link)
- https://web.archive.org/web/20060508180225/http://www.robertwilson.com/archive/ – Robert Wilson Archive. Source for further details.
- http://blackrider.novembertheatre.com// – Extensive site with history, images, trailer, tour dates, etc.
-  – The programme for the San Francisco leg of the most recent tour.[dead link]